© David Batchelder
Over a period of decades, Lithuanian photographer Kazimieras Mizgiris (*1950) recorded the bizarreshapes, resembling prehistoric animals, that wind, sand, and ice form on adaily basis. These works are juxtaposed with Alfred Ehrhardt’s abstract photographsof the Curonian Spit from 1934. In contrast to Mizgiris’s images, Ehrhardt’s evince the austere formal vocabulary of a Structuralist schooled at the Bauhausin Dessau.
